Transcription

Hi, I’m David Sonnenschein, authoress “Sound Design, The Experience Power of Music, Voice and Sound Effects in Cinema”. If you want try putting your DVD and your favour one and turning off the sound, it’s like half the movie’s missing.
You don’t know where you are, you don’t know what the people are feeling, sometimes you don’t know what the storie’s about.
Well this is really what sound design is all about bring to the audience the whole film so that we feel everything in three dimensions and that emotional and physical reality.
Hears an example of our sound can effect entire meaning of the scene. First we have to look at the scene with no sound and see what you get are it be.
Now hears the version with sound and watch what it becomes.

People must to be make in the sounds long before they have any words to express what they felt.
oh dear... love !

It is for the fun of it, is a completely different version with an other sound track.

We are sorry...

Ok you got it. Sound is totally essential for the film. So how we go to decide what is the right sound for your film? Well you gonna know your film, you gonna know your storie, you gonna know your characters. what are their complex, their emotion, what do they they want and what their allieds want , what are they going in, what expectations. Is it a communy ? a horror? an adventure film ?

Well, there is a lot of things that help decide what you are going to do with your sound and this is behind a theory and practice of sound design what we talking about, and making this book work for you.

The theory and practice of this is called sound design. That what I have been doing for the last fourteen years. I have been directing films, playing and composing music and researching sicacoustic in neuronal science. This is really what sound does to us human beings on a psychological; emotional, and physical level.
When we take all these areas into account then we really study structure of a film and sound to affect audience in a very conscious way.
And I put into this book some really really practical stuff, this is not an academic dry text. This is something that you could be able use listening to the stories of pop Hollywood sound designers getting a creative canvas for your own work with a very clear out use and exercises for stimulating your own creativity.
I really really enjoy listening to increasing sound. It’s why I wrote this book and it ‘s here for you to learn and listen and create your own wonderful sound in your own films. Thank you.